Click here for
a list of Summer Stages Dance Faculty
and Artists, 1996-2011 (PDF)
Amy Spencer and Richard Colton, founded and direct Summer Stages
Dance, a nationally renowned dance workshop and performance series
that takes place during July in Concord, Massachusetts. As performers,
their professional careers began in New York City in the 1970s.
Spencer and Colton were members of Twyla
Tharp Dance and the White Oak Dance Project, under the direction of
Mikhail Baryshnikov. Colton was a member of American Ballet Theatre
and Joffrey Ballet, and Spencer was a collaborator/performer with Pilobolus
and Martha Clarke. They served as resident choreographers for American
Repertory Theater for a decade, and founded and directed SPENCER/COLTON
DANCE, a company of dancers and actors they created in 1989. They are
three-time recipients of the Massachusetts Cultural Council’s
Artists Grant in Choreography for their choreographic work. Their production,
Billy Nijinsky, won Best Production 2002 at the New York International
Fringe Festival, and their adaptation of the novel Einstein’s
Dreams was awarded the Sloan Foundation Science and Technology Award.
They have taught both nationally and internationally and have been
on the faculty of the American Repertory
Theater Institute for Advanced Theater Training at Harvard, The Boston
Conservatory and the University of Illinois Urbana-Champaign. They
currently co-direct the dance program at Concord Academy where Summer
Stages is hosted.
Seán Curran, Artistic Director
of Seán Curran Company, began his dance training with traditional Irish
step dancing as a young boy in Boston, Massachusetts. He went on to
make his mark on the dance world as a leading dancer with the Bill
T. Jones/Arnie Zane Dance Company. He received a New York Dance and
Performance Bessie Award for his performance in Secret Pastures. A
graduate and guest faculty member of New York University's Tisch School
of the Arts, Curran was an original member of the New York City cast
of the Off-Broadway percussion extravaganza Stomp, performing in the
show for four years. He has performed his solo evening of dances at
venues throughout the United States as well as at Sweden's Danstation
Theatre and France's EXIT Festival. Current and recent projects for Curran
include productions of Much Ado About Nothing and A Midsummer Night's
Dream for The Shakespeare Theater, the twentieth anniversary production
of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography
for the New York City Opera productions of L'Etoile, Alcina, Turandot,
Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the
Playwrights Horizons' production of My Life with Albertine; Shakespeare
in the Park's As You Like It. He recently made his Metropolitan Opera
debut choreographing Romeo and Juliette.
[more...]
Curran's work has appeared
on Broadway in James Joyce's The Dead for Playwrights Horizons and
The Rivals at Lincoln Center Theater. He has created works for Trinity
Irish Dance Company, American Ballet Theatre's studio company, Denmark's
Upper Cut Company, Sweden's Skänes Dance Theater, Irish Modern
Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well
as for numerous college and university dance departments.Curran has
taught extensively at the American Dance Festival, Harvard Summer Dance
Center, Bates Dance Festival, and Boston's Conservatory of Music. Irish
American Magazine selected Curran as one of its "Top 100" in
the year 2000. Curran was awarded a Choreographer's Fellowship from
the New York Foundation for the Arts in 2002. Happiest when making
new work or performing, Seán Curran hopes to continue being
an ambassador for the art of dance by building and educating the dance
audiences of tomorrow.
[after seeing the Seán Curran
Company in performance]
“When I see something good that reminds me what dancing can
be at its most basic, I’m faint with pleasure,”
–Deborah Jowitt, The Village Voice
“A stunning marriage of virtuosity
and emotion. He dances like a soul in free fall, furiously moving
his limbs to express sadness, shame, and ecstasy.”
–Jennifer Dunning, The New York Times
“There is no fresher, more
invigorating new American dance now than the choreography of Seán
Curran.”
–Los Angeles Times
www.seancurrancompany.com
Lauren Grant has
danced with the Mark Morris Dance Group since 1996. Appearing in over
40 of Mark Morris’ works, she performs leading roles in The
Hard Nut and Mozart Dances. Her television appearances
with the company include The South Bank Show, Kennedy Center Honors,
and Live From Lincoln Center. She has been featured in Time
Out New York, Dance Magazine, the book Meet the Dancers,
and is the subject of a photograph by Annie Leibovitz. Ms. Grant is
on faculty at MMDG's school, leads classes
for the company, and teaches dance at such universities and schools
as the Central School of Ballet in London, England; Dancebase in Edinburgh,
Scotland; George Mason University; University of Illinois; University
of Michigan; New York University; University of Washington; Florida
State University; and Cornish College, among others. After spending
her childhood in Highland Park, Illinois, she moved to New York to
attend NYU's Tisch School of the Arts and graduated with a BFA in dance.
Jeffrey Kazin has been dancing with David Parker
for over 22 years and almost exclusively
for David for the last 19. As a principal dancer with The Bang Group
Jeffrey has created many original roles both domestically and internationally
and has had the opportunity to teach and set David Parker’s
work on students and companies throughout the U.S. In additional
to his dancing roles with TBG, Jeffrey is also a Director, CFO, sometimes
Graphic Designer, General Factotum and serves on its Board of Directors.
As a guest artist, Kazin can be seen in the coming months as Captain
Von Trapp in Doug Elkins’ hip-hop ode to “The Sound of
Music,” Fraulein Maria. He is the co-producer, along
with David Parker, of a series of
choreographic evenings at the West End Theater in NYC. He is
a graduate of Connecticut College and the National Theater Institute
and is on the board of directors of the Peculiar Works Project.
David Leventhal danced with the Mark Morris Dance
Group (MMDG) from 1997-2011. He performed principal roles in Morris’ The
Hard Nut, L’Allegro, il Penseroso ed il Moderato,
and Romeo and Juliet, on Motifs of Shakespeare, and received
a 2010 Bessie (New York Dance and Performance) Award for his work with
the company. He has also danced with Marcus Schulkind, Spencer/Colton
and José Mateo's Ballet Theatre. He is on the faculty
of the Mark Morris Dance Center, and has taught technique and repertory
classes for students of all ages at schools and universities in the
U.S. and abroad, including UCLA, UC Berkeley, University of Michigan,
Harvard University, University of Washington, University of Illinois,
The Juilliard School, American Dance Festival and the Governor's School
for the Arts (Virginia) among others. David is the program manager
and one of the founding teachers of the MMDG/Brooklyn Parkinson Group's
Dance for PD® program, which offers dance classes for people
with Parkinson's disease in Brooklyn, and in more than 45 cities in
the US and abroad. Raised in Newton, Mass., he attended Brown
University where he received a B.A. with honors in English Literature.
David Parker is, with Jeffrey
Kazin, Director of The Bang Group, a choreographic meeting place for
artists and audiences who wish to engage in lively dialogue with the
show business, classical and contemporary dance traditions which surround
us. Founded in 1995 in New York City, the Bang Group has toured
widely throughout the United States and Europe and is known for its
comic-subversive neo-vaudevillian version of the Nutcracker entitled Nut/Cracked which
has been touring for the last 7 seasons, ShowDown, a choreographic
reinvention of Annie Get Your Gun for cabaret stages,
and for a series of award-winning dances for himself and Jeffrey Kazin
such as the Velcro-clad duet called Slapstuck. TBG
has been company in residence at Summer Stages Dance for the past 10
years and performs most regularly in New York City at Dance Theater
Workshop. David serves on the faculties of The Julliard School,
Barnard College and The Alvin Ailey School where he teaches dance composition.
www.thebanggroup.com
Nic Petry holds a degree in Ecology and Evolutionary Biology
from Princeton University and received his MFA in Dance from the University
of Illinois. Nic first worked with David Parker and The Bang
Group at Summer Stages Dance in Concord in 2002 and joined TBG as
a full company member in 2005. He has since performed in many
repertory works as well as developing original roles in Mr. Parker's
new dances. While not performing, Nic owns and operates Dancing
Camera, a video production company specializing in dance documentation.
Keith Sabado was a member of the Mark Morris Dance
Group from 1984 to 1994. He received a 1988 Bessie award for his work
with the company. In 1994 he was invited to join Mikhail Baryshnikov’s
White Oak Dance Project (1994-97, 2001), performing major roles in
works of Morris, Merce Cunningham, Hanya Holm and many emerging choreographers,
as well as assuming the role of rehearsal director. And in 2000 he
was invited to dance with the Lucinda Childs Dance Company for its
25th anniversary year. He has taught master classes and workshops around
the world and teaches regularly at festivals in Japan and the United
States. In addition to teaching open professional classes in New York
City, he is on the guest faculty of Sarah Lawrence College and New
York University.
Amber Sloan has been a member of The Bang Group since 2002, creating
both original roles and performing repertory. She has also danced
with Keely Garfield, Chris Elam / Misnomer Dance Theater and Sara
Hook Dances. Sloan’s choreography has been presented in numerous
venues including Dance Theater Workshop (Family Matters), Danspace
Project (Food for Thought), the West End Theater, Dancemopolitan at
Joe’s Pub at the Public Theater, the Dancenow Festival, Brooklyn
Arts Exchange and others. She has received space grants from
DTW, Mulberry Street Theater, The Field’s Artward Bound, and
most recently from BAX. Sloan serves on the board of Dance Omi,
an international dance residency program and is the co-director of
Move for Breast Cancer Awareness. She teaches yoga at New York University
and several private gyms throughout NYC.
Risa
Steinberg, presently the Associate Director of Dance at The
Juilliard School, has been an active member of the dance community
for over thirty years. Hailed as “one of our great modern dancers”,
she is known internationally as a solo artist, master teacher, rehearsal
coach, and director of the works of José Limón. She
has both performed and taught extensively much of the world. Ms. Steinberg
was a soloist with the José Limón Dance Company, Bill
Cratty Dance Theater, Annabelle Gamson, Anna Sokolow’s Player’s
Project, Colin Connor, and American Repertory Dance Company of Los
Angeles. As a solo artist, she has performed works of many choreographers
including Wally Cardona, Sean Curran, and Ann Carlson. She has also
taught actors at the National Theater Institute, a part of the Eugene
O’Neil Theater Center.
Dan
Wagoner is a renowned American modern dance choreographer.
He danced with Martha Graham, Merce Cunningham, and Paul Taylor, and
for 25 years directed his own New York-based company, Dan Wagoner & Dancers.
He choreographed more than 55 dances for his company, which performed
throughout the U.S., Canada, South America, Europe, and Asia as well
as presenting annual seasons in New York. He has taught at Harvard
Summer Dance and Bates Summer Dance programs, and at numerous universities
and festivals in the U.S. and abroad. This year celebrates Wagoner’s
eighth year at Summer Stages Dance. Most recently, he traveled
to Juangzhou, China to choreograph for the Guangdong Modern Dance
Company. Wagoner was a Distinguished Guest Artist at Connecticut College
and is currently on the faculty of Florida State University.
Teri Weksler is a graduate of the Juilliard School,
and danced in the companies of 5 by 2, Hannah Kahn, Daniel Lewis, and
Jim Self, in repertory including works by renowned choreographers Anna
Sokolow, Paul Taylor, Doris Humphrey, Jose Limon, and Pilobolus. She
received a New York Dance and Performance Award or "Bessie" for "…a
career of virtuosic dancing…." in 1984. She has appeared
with the Houston Grand Opera, Seattle Opera, Dallas Civic Opera, and
was Prima Ballerina with the Rome Opera Ballet in a Phillip Glass-Robert
Wilson production, "the civil wars." Ms. Weksler was a founding
and prominent member of the Mark Morris Dance Group, touring and teaching
all over the world from 1980-1990, and then as guest performer with
the company in later years in the Jacob’s Pillow and Edinborough
Festivals.
[more...]
After moving to Birmingham, Alabama,
she was invited to dance with Baryshnikov’s White Oak Dance Project,
a company of "the world’s best modern dancers." This
past year, Weksler was guest artist at Miami New World School of the
Arts, Boston Ballet, and Summer Stages Dance. The Mark Morris Dance
Group asked Ms. Weksler to perform in the new Romeo and Juliet created
by Mr. Morris, which premiered at Bard
College in July 2008, and toured 10 cities worldwide. Film and television
credits include the PBS programs Great
Performances and Dance in America, Camera Three, Good
Morning America, and the award-winning film Beehive.
Weksler is on the faculty at the Alabama School of the Arts, wher she choreographed her sixth work for the company for their 2009-2010 season.
Wilson has traveled extensively: to the Mississippi Delta to research
secular and religious aspects of life there; to Trinidad and Tobago
to research the Spiritual Baptists and the Shangoists; and also to
the Southern, Central, West and East of Africa to work with dance and
performance groups as well as various religious communities.
Wilson is a graduate of New York University, Tisch School of the
Arts (1988, Larry Rhodes, Chair) He has
studied composition and been mentored by Phyllis Lamhut; Performed
and toured with Ohad Naharin’s NY-based company before
forming his own Fist and Heel Performance Group. He has lectured, taught
and conducted extended workshops and community projects throughout the US, Africa,
Europe and the Caribbean. He has served as visiting faculty at several
universities including Yale, Princeton and Wesleyan Universities. He is
the recipient of the Minnesota Dance Alliance’s McKnight National Fellowship
(2000-2001). Wilson is also a 2002 BESSIE-New York Dance and Performance
Award recipient for his work ‘The Tie-tongued
Goat and the Lightning Bug Who Tried to Put Her Foot Down‘ and
a 2002 John Simon Guggenheim Fellow.
He has been an artist advisor for the National Dance Project and Board
Member of Dance Theater Workshop. Most recently,
in recognition of his creative contributions to the field, Wilson was named a
2009 United States Artists Prudential Fellow and is also the 2009 recipient of
the Herb Alpert Award in Dance.
His collaborative evening-length work, The Good Dance – dakar/brooklyn
had its World premiere at the Walker Art Center in November 2009 and NY premiere
at the Brooklyn Academy of Music in December 2009 followed by a ten city US tour. Presently
he is working on theRevisitation an evening of works to be presented at New York
Live Arts March 14th- 17th. His work (project) Moseses Project will be
part of the BAM Next Wave Festival 2013.
Andrea E. Woods, Artistic Director
of SOULOWORKS/Andrea E. Woods & Dancers is a dancer/teacher/choreographer/video
artist/percussionist and a native of Philadelphia, where she began
her dance training with Jean Williams at Germantown Dance Theater. She
graduated magna cum laude from Adelphi University and has since danced
with Clive Thompson, Leni Wylliams and Saeko Icinohe. Andrea
is a former dancer and rehearsal director of Bill T. Jones/ Arnie Zane
Dance Co. (1989-1995). She is on the faculty of the Duke University
Dance Program teaching modern dance and dance for the camera. Andrea
is an American Antiquarian Society Fellow and her artistic work and
research have taken her to, The Cannes International Danse Festival,
Taiwan, Russia, Senegal, Morocco, Korea, Puerto Rico, Poland, Singapore,
Belize, the Yucatan, Cuba and throughout the US. She has done
collaborative works with musicians: Randy Weston, David Pleasant,
Tiyé Giraud, Madeleine Yayodele Nelson and Philip Hamilton and
spoken word artist, hattie gossett.
[more...]
Andrea had been part of the American
Dance Festival Faculty 2000 - 2007. In 1999, she completed her
MFA in dance technology at The Ohio State University and currently
creates live performance works as well as videodances. Her videodances
have been screened at BRIC (Brooklyn Information and Culture), Brooklyn
Arts Exchange, BAAD, Brooklyn Museum of Art, MassMoCa, The Nasher Museum
of Art and the Wexner Center. She has been guest faculty and/or
choreographer at: Medgar Evers College, Howard University, Ohio
University, Rhode Island College, California State University Long
Beach, North Carolina School of the Arts, Hollins University, Sharah
Lawrance, and Goucher College. She was faculty at New York University
Tish School of the Arts teaching modern dance and created the curriculum
for Dance for the Camera course (2002-2007). She completed an
MAH in Caribbean Cultural Studies at SUNY Buffalo where here studies
and research were based in Havana, Cuba. 2007-2009 Woods has
been Artistic Director of the Brooklyn based Thelma Hill Performing
Arts Center. In addition she is a staff writer for Attitude: The
Dancer's Magazine and has been a performer with the NYC vocal/percussion
group, WOMEN OF THE CALABASH and North Carolina's Beverly Botsford/DRUMS
ALIVE! Woods calls her dances SOULOWORKS because they are works from
the heart, works from the Soul.
“There were discoveries like
the bold, evocative dances of Andrea E. Woods. Ms. Woods’ dances
looked like rituals for beautiful, young, black goddesses… “
–Jennifer Dunning, The New York Times
“Most eloquently, Woods danced
the very musical phrasing of Billie Holidays Lady Sings the Blues,
moving her arms fluidly in unison to Holidays sweeping fluid blue
notes, so that the dancer and music merged.”
–Seth Rogovoy, The Berkshire Eagle
“Woods is a marvelous mover. Dancing for Bill T. Jones
may have helped mold her beautiful slippery style . . . but everything
she does looks original.”
–Debora Jowitt Village Voice
www.souloworks.com